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2017 Lewes Community Allotment Planning Meeting

Allotment coordinator Sarah Rideout facilitated a planning meeting last week on a frosty Wednesday morning. We were there to discuss what we wanted to grow at our allotment this year and what extra activities we'd like to do. The St Nicholas Day Centre were kind enough to host the meeting in The Sanctuary, which is well named, and was delightfully cosy, although we were careful not to slip on the ice on our way over to it. dsc_2223

There were seventeen of us in total, including all of the St Nicholas clients who attend, some community allotment members, Flourish sessional worker Felicity Ann and St Nicholas support worker Eleanor.

Sarah mentioned the exercises they'd been doing at the last allotment session to help show how to get the blood moving if people feel cold. Some of the exercises included shaking, rubbing and patting hands. Felicity Ann said she'd done star jumps at the bus stop afterwards!

Sarah talked about how important it is to wear the right clothes at the allotment, particularly at this time of year when it's so muddy and cold. Waterproof coat, old warm things and sensible footwear all help keep people warm and dry.

Then we got down to the business of planning what we wanted to do and grow at the allotment. Sarah had brought lots of books, Felicity Ann had printed off funny pictures of fruit and veg that could be cut out and stuck to planning pages. We had glue, pens and scissors, and people took turns to cut, stick and write.

The most popular choices were strawberries, peas and different kinds of potatoes. Also lettuces, tomatoes, sprouts, parsnips, spinach, beans, leeks, apples, squash, pumpkin and a 'pizza' bed!

There were some interesting and unusual suggestions too, such as water chestnuts, plantain and aubergines. Emma suggested that perhaps, if the conditions at the allotment weren't suitable for all those to grow, we could bring them up in a dish, so people could taste them.

Also on the wall were possible extra activities we might be able to put on at the allotment. Options included:

  • outdoor cooking

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  • a visit from Michael Blencowe from Sussex Wildlife
  • hazel weaving
  • poetry and storytelling
  • making bird boxes
  • mosaic stepping stones

People were encouraged to put a sticker on ones they were keen on, and to add more ideas if they thought of any.

Then we stopped for some welcome tea and biscuits.

Finally, whilst some people drew pictures of wildlife you might find at the allotment (such as Hollie's fox), others did pictures showing the sorts of colours of plants they'd like to see in the beds.Some did an activity matching plant drawings against drawings of the sun, soil and water. The point of this was to encourage thinking about what are the best growing conditions.

Also, Felicity Ann worked with members of the group, one at a time, demonstrating how to safely open and close tools - specifically secateurs and folding pruning saws. Some of us found it particularly tricky to keep our fingers away from the saw blade when closing it.

All in all, it was a lovely and very useful morning. Many thanks to everybody for their contributions.

Emma Chaplin

Cutting Willow at Baulcombes Barn

We had a special January session with a group from Bluebell House Recovery Centre, cutting willow from the bed at Baulcombes Barn. The willow has to be cut by March. Here's some more information about growing willow.

The Bluebell House group could stay later than a usual Wednesday morning session, so they brought lunch with them. And secateurs! Owena provided the gloves and we headed out to the willow bed - in wellies - it was very muddy.

DSC_2143.jpgFirst of all, Owena needed to strim back some brambles to make it easier for us to cut the two types of willow growing in the bed, so most of the group left her to it and carried on walking beyond the willow bed in order to go and see the horses and pigs.

We didn't see the hens, because they are are shut in at the moment, because of the risk of them contracting avian flu from wild birds.

Nicola was keen to see Buster, and so we went to the horse field, via the pigs and the yard to fetch a wheelbarrow, so some of us could clear up poo from the field.

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The younger pony Frankie came up to the wheelbarrow to see what was happening, but then put his ears back. This is probably because he didn't know my face. Horses (and sheep) can recognise human faces.

Oscar was brave enough to approach Buster. Buster is a friendly pony, but this was Oscar's first time touching a horse. Nicola supported and encouraged him and he did really well.

Then we headed back to the willow beds. We laid a tarpaulin on the ground to put the willow once cut, because the ground was so wet. Then some of us cut the willow, others sorted it into piles of thin, medium and thick stems. Some bits were too short and wispy to use, so they will be burned.

 

dsc_1917After some hard work, the group headed back to the cabin for lunch around the wood burner to warm up.

We all felt it had been a good day. It was lovely to welcome new people as well as those who had come before. People tried things they hadn't done before, such as going right up to a horse.

With the willow cutting and sorting and even navigating muddy slopes and climbing under fences, we worked as a team and got a lot done. The fresh air did us good too, as did the company of the animals.

The willow will be ready for weaving in six weeks.

Emma Chaplin

Plumpton Supported Interns - selling their apple juice at the Christmas Fair

After all their hard work, picking apples at Ringmer Community Orchard in September 2016, juicing, bottling and pasteurising it, designing the labels for the bottles and getting feedback from some professionals - the Plumpton Supported Interns finally got to display and sell their produce at the Plumpton College Christmas Fair. We think they should be very proud of themselves. We very much enjoyed working with them.

Emma Chaplin

Ceramics in Nature at Charleston

This blog post has been written by Lewes Community Allotment member Karine Wright. She and three other Allotment members are taking part in a two-day community involvement project at Charleston Farmhouse. Another member, Clare Rudeback, took the accompanying photographs

We are travelling through beautiful downland scenery on a sunny morning. Destination: Charleston Farmhouse, at the foot of the South Downs, famous home of infinitely creative members of the early/mid-twentieth century Bloomsbury Group. And the work of Quentin Bell, passionate Charleston potter -  among other talents - will be our inspiration for a day of nature-connected pottery.

As members of Lewes Community Allotment we are well aware of the wonderful benefits of working in nature with like-minded people. And Flourish, the umbrella project for the Allotment, has made it possible for us to extend this experience into a two-day course of Ceramics in Nature, facilitated by Lucy Bailey, Community Engagement Coordinator at Charleston Farmhouse, and led by artist and teacher Ruby Taylor (Native Hands).

Ruby, we soon discover, is a great talent in her chosen art, but also in the way she makes us feel comfortable in the group and inspires us to delve into our creativity to transform a natural material into our own work of art.

After briefly introducing ourselves and our expectations of the course, we are invited by Ruby to share a few minutes of meditation, a much-appreciated way to settle into action.

We are sitting around a table in Quentin Bell’s original pottery looking intently at a number of open kiln fired clay objects displayed before us. Our eyes and minds are making an exciting journey from fresh clay to finished shape ready for firing.  And the ball of local clay we hold in our hands is almost set to be sculpted. First it will need to be mixed with grog: pieces of fired clay, which we grind. It’s quite a noisy job and we move our working equipment through the studio doors into the garden to continue the grinding there in the open air. Next stage: grogging and wedging. Ruby guides us through this preparation of the clay, a relaxing, rhythmic movement, gradually incorporating the grog into the fresh clay until evenly mixed and air bubbles removed and the clay has the right consistency. All very important to reduce possible cracking during drying or in the open kiln.

For our finished work we decide on either pinch ball (thumb opening up the ball of clay and fingers of other hand guiding the wall into shape) or slab sculpting (we use a paper pattern on the rolled out clay to cut out components of a flower pot). All aided by a large number of tools offering the imprinting of an astonishing variety of shapes. A number of colours is on offer in the form of slip (liquid clay) for us to add paint effects to our sculpted object. And in Quentin Bell’s pottery there is inspiration of form and colour and design to add to our own creativity if we choose to.

Time to add last touches before we place our work gingerly on a board to dry in time for Day 2. Then we will be spreading further out into nature to forage materials for the group to build the kiln and prepare for the firing of our ceramic pieces. And, of course, our fervent hopes will be for our work to rise like a phoenix from the ashes.

It has been an exciting and fulfilling day. So many things to enjoy and learn. The freedom to roam in inspiring and calming surroundings when we felt like it; a delicious lunch and cups of tea and coffee or a glass of water, and much admirable support from Lucy Bailey and her colleagues. To have had the good fortune to work with an outstanding teacher and artist like Ruby Taylor is something to celebrate. Her unique input created a wonderful experience for all of us.

Plumpton supported interns at Ringmer Community Orchard, year 2

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The Flourish project began in September 2015, and one of the first things we did was to set up a three-day apple course working with a group of supported interns from Plumpton College. This took place at the beautiful Community Orchard in Ringmer. This is scheduled as an annual course, and we were pleased when Plumpton College said the year one group enjoyed it so much, that this autumn (2016), they wanted us to run the course for both Supported Internship classes.

So on 26 and 27 September, Flourish project manager Emma Chaplin and apple expert Peter May hosted two different groups at the Orchard for a day each of learning about apples; picking, grading, weighing and storing them ready for day two, juicing, of the Flourish apple course, which will take place at Stanmer Park in October hosted by Brighton Permaculture Trust*.

*Brighton Permaculture Trust "work with nature to sustain achieve a sustainable lifestyle". They are extremely knowledgeable about apples, have their own orchards, organise a huge Apple Day event every year and run lots of apple and fruit related courses. They also have apple pressing and pasteurising equipment.

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Emma welcomed the groups at the Orchard on both days and talked a little about Flourish being a Lottery-funded project, managed by Common Cause Co-op. Everyone was shown where the toilets were and asked to wear a name label. Emma then said one thing she felt about apples (that she likes crumble!) and invited the group to introduce themselves one at a time with something they like or dislike about apples. On the first day, quite a few interns said they weren't keen on apples. On the second, most of the group liked both apples and apple juice - with several saying they particularly like cider!

Then Peter addressed the interns, explaining that the Orchard growing season has been different from last year, and the apples are two weeks behind in terms of ripening.

The interns asked if each group could pick different varieties, so that they could compare the taste of each once they are juiced at Stanmer Park in October. Peter said that would be fine - the first day would be picking Ashmead's Kernel, the second, Red Falstaff.

Peter gave a tour of the apple store and the Orchard. He said the Orchard has rich soil from when horses grazed here in the past. He explained the differences between a tree nursery and an orchard. An orchard will feature lots of apple varieties which are grown to last for years.

dsc_1656When the Orchard was being planned, he explained, each bush apple tree was planted 5m apart, with 7m between rows, to allow the trees room to grow. They allowed 10m for larger varieties.As we walked round, he pointed out several trees that are leaning, and said that is partly because they grew so vigorously and strongly the roots couldn't keep up - plus the added factor of the wind. He also mentioned that the Orchard also has some pear trees as well as a new quince and some plum trees.

"You have to think about thirty years' time when you're planning an orchard"

He then talked about his career, and how interesting an apprenticeship was - trying various jobs in different departments, learning new skills, getting a sense of what worked for him. He explained that working for a commercial orchard might include working with equipment or in glass houses or polytunnel indoors.

"What employers are looking for", he explained, "is enthusiasm and lots of energy and for people who are prepared to work outdoors in all weathers"

Peter said that pesticides and chemicals are not used on the trees in the Orchard so many of the apples are lumpy and bumpy - unlike fruit you get from commercial orchards.

Some interesting apple facts that Peter pointed out:

  • This is a post that Peter wrote last autumn about the different varieties of apples at the Orchard. Ones we looked at include: Newton Wonder, Edward VII, Lord Lambourne, Scrumptious, Ashmead's Kernel, Red Falstaff and Salt Cote Pippin.
  • There are 10,000 apple varieties in the world
  • There are 2,500 varieties in the UK alone
  • A number of varieties are named after places and people
  • Apples originate from Kazakhstan
  • New varieties are always being developed - designed to be disease-resistant etc
  • Apples probably arrived in the UK when the Romans invaded
  • Some varieties ripen early, some late
  • Some have a lot of apples every year, others alternate years
  • The texture and taste of all the varieties varies. Some are sweet, some sharp. Some are eaters, some are good for cooking
  • It varies as to how well they store

 

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He offered members of the group different vintages of juice, from various varieties of apples picked in previous years. One intern said it was "Like drinking liquid sunshine".

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Then the group were shown safe lifting and handling techniques, and they began work - with one group picking apples, one group grading them, with others taking them to the apple store in the wheelbarrow.

After lunch, the groups made up several 'orders' of apples, as if for a shop, using weighing scales.

Peter then showed the group how to hang small cement weights on the ends of the boughs of some young apple trees, a technique which bends the branch down and encourages the tree to produce more fruit.

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Peter finished the afternoon off by demonstrating how to graft a new apple tree.

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Next stop, Brighton Permaculture Trust to juice, bottle and pasteurise the apples - and taste the juice of course.

Emma Chaplin, Sept 2016

Video of Brandon at Ringmer Community Orchard

Common Cause director Louise has made this video at Ringmer Community Orchard with Brandon, a Plumpton College Supported Intern who we worked with last autumn.